the 2nd release on the new rotterdam s label tar hallow comes from klankman. after his debut release in bunker 4000series klankman (maarten epskamp), currently based in the hague, nl takes the train to rotterdam to meet his retarded soulmates from th. th02 comes with 5 acid freakouts, 180gr heavy. once again it is a no control journey and there is only room for the unexpected.

tar hallow is a new label based in rotterdam, nl devoted in electronic music. first release on the label is from super unknown, producer dimitris damaskos (damcase) from thessaloniki, gr and currently based in rotterdam, nl. the ep comes with four tracks of distorted techno in a no control journey where there is no need for so many med and high frequencies.

known for his releases on hamilton dance and on the prowl party breaks, marcos cabral comes from brooklyn, new york, and needs no introduction for the house music lovers... after been fascinated with his work, we decided to approach marcos to try to join him on our new project, a harmless deed, because we thought it was exactly the type of artist and music we were looking for and when we recieved the demo we were not let down at all. land of tar ep is a mixture of oldschool sounds with a modern and personal point of view. on the a side we can find > pitch lake<, our favourite track on the package. already tested and probed to be working perfectly on the dancefloor, it yet has a deep, weird and beautiful touch. b side is more classic chicago influenced, on the old mr fingers type, 707, synthy melodies, pads and strings...

featuring minimal techno contemporaries: mike wall & ixel, crawlie, daegon, jason short, eiht.

its a fine line between reference and cliche
its a fine line between rough and cheap
its a fine line between moody and dark
its a fine line between independent and arrogant
its a fine line between obscure and abstruse
its a fine line between intricate and complex
its a fine line between passion and obsession
its a fine line between ambiguity and confusion
its a fine line between style and genre
its a fine line between loud and proud
its a fine line between repetitive and repetition
its a fine line between principles and rules
its a fine line between simple and easy
its a fine line between ideas and ideals
its a fine line between nu and new
its a fine line between disco and disco
its a fine line between tim paris and ivan smagghe ... and thats why they are walking it.

supported by ewan pearson, ata, daniel wang, boris, lawrence, ivan smagghe... jules etienne & alessandro tartari are the names behind the berlin based housemusic production team gui.tar. their previous releases for careless & punkt musix went straight into the record bags of djs like ata or ewan pearson and became secret hits in clubs like panorama bar or robert johnson. their sound is indeed very special ranging from dark sound scapes to deep chords all tied together by clever rhythms and sensitively placed percussions

der souveräne neu-berliner schafft es eine spezielle spannung zu erzeugen mit dreckigem bass-lick, coolen vocals und synthie magie. the king of the bush is he! friday only kommt mit echtem rave spirit und entwickelt sich zu einem wahren tanzboden-schlachtschiff!

amazing dubby minimal electro tech groover !!! tip !!

these two tracks arent just tracks - ever changing, twisting & turning explorations into deep, electronic tech house music. played by hendrik schwarz, nathan fake..

pop

digisleeve w/ booklet

2nd studio album (1985) !

classic black double vinyl edition.

limited & numbered deluxe edition on coloured 180 gram double vinyl, poster & 5 foto-cards included.

silver coloured vinyl

gold coloured vinyl

standard black vinyl

ltd indigoblaues color-vinyl (140g) im gatefold inklusive 12-seitigem artwork-booklet, 12” kunstdruck und download-code.

fresh electro stuff great

ltd

strictly limited blue coloured double vinyl reissue of the 1992 debut album by moonshake.

recycled colored vinyl comes w/ lyrics sheet - every record is a unique piece with individual mix

new album from german ska legend the busters. comes on red coloured vinyl.

cassette release of the 2022 album from five finger death punch.

the new album from l.a. metal band five finger death punch on heavyweight white vinyl, cut at 45rpm, housed in a gatefold sleeve.

the new album from l.a. metal band five finger death punch on heavyweight purple vinyl, cut at 45rpm, housed in a gatefold sleeve.

featuring container, privacy, beau wanzer, dj richard, kluentah etc.

the producer and sound designer whose work has appeared on nts, los angeles label tar and in sets from the likes of laurel halo, endgame, acre and prison religion.

new album from weezer on vinyl lp.

three tsunami records releases bundled up for one special price! (tsu017 / tsu020 / tsu045)

uptempo and slowed down dj screw-esque beat driven tracks from butterfred

3rd on this uvb-76 sublabel

aparde is back on ki records with his third longplayer.

slamming groovin hypnotic minimal techno

hard times call for good music. this time around times are ruff (tar) dedicated their beat fabricating skills to a double ep for tomorrow is now, kid! the tink! project will put some raw, deep, soulful and garage tunes in your ears. as a dj collective, times are ruff is heavily influenced by the windy city, taking inspiration from the past, but never sounding outdated. focussing on long - preferably all night - dj sets in which times are ruff strives to set itself apart and tell a true musical story to the audience.

sth. notional was a short-lived project that manifested in one album back in 1992, originally released on japanese label zero corporation. yawn yawn yawn focused primarily on various balearic-friendly mixes of the title track and some other scattered pieces, and now they ve received a much-needed spruce up from archeo recordings. the dream. another reality versions of yawn yawn yawn are laid back to the extreme, revolving around delicate instrumentation and occasional threads of speech and singing. there s a mellow beat behind the g-tar cannyon mix, and the thankful mix brings a weightier groove to the table. with the other tracks adding to this utterly smooth, early 90s shake, and spread across three discs, this is the holy grail reissue collectors have been waiting for.

we are not where we live, but the valley we built enjoyment through suffering. beauty in chaos. african ghost valley apply these principles to create their heavy doomsday electronics pulled in from the black bunker a d.i.y space under a multi-story car-park. separated from any scene on the surface, the record was put together by european / canadian duo childle grangier and gabriel ghebrezghi a partnership formed in the heat of heavily improvised recording sessions, where the pair would thrash out their versions of power electronics, industrial waste drops and rhythmic dub rumble to the cities homeless. keeping these raw fnal cuts away from any studio trickery, the microphone would be left on to archive feld recordings and wayward audio drops, capturing the hum and lifeblood of the bunker and the wheezing lungs of the dense concrete that surrounded them. titling this work colony, the album is a open-ended and multi-edged tool for agv to explore, allowing the listener to interpret the work as they see ft, bringing to mind images of corroded space settlements and the darkest recess of human history. you decide.

im fluss der neun stücke löst sich der komponist auf und macht musik in ihrer ureigensten dynamik erfahrbar. man wird zeuge davon, wie sich nähe und intimität zu weite und gewalt wandeln, sowie schönheit in alledem zu finden ist - vor allem aber im vergehen. konsequent entwickelt -strom- dabei verschiedenste formwelten, erscheint neblig gefährlich, dann wieder ganz direkt, fast verspielt, bis hin zum erstarren vor der eigenen größe. dabei wurden für -strom- keine pointen erdacht und keinerlei maß genommen. stattdessen wirkt es so, als ob martin kohlstedt es geschafft hätte, der intuition ein monument zu bauen. dabei sind unabänderliche denkmäler gar nicht kohlstedts spezialität, ganz im gegenteil. bekannt geworden ist der thüringer vor allem für die energie und unberechenbarkeit seiner konzerte. nach zwei solo-piano alben legte er schablonen für das instrument ab und entwickelte seine eigene selbstverständlichkeit, elektronik und effekte so zu spielen, als seien sie nur weitere tasten auf der schwarzweißen klaviatur. -strom- ist martin kohlstedts drittes studioalbum und ebenso ein destillat dieser entwicklung wie auch ein blick in die zukunft: bevor der komponist auf sein publikum trifft, prallt er in diesem ersten aller räume mit sich selbst zusammen. inszenierung ist hier fehl am platz. sound und struktur treten hinter den wunsch, mit der musik andere orte zu erreichen. man hört dem nach - seinen händen - die all die arbeit verrichten, feinfühlig und größenwahnsinnig zugleich. und bleibt doch ganz bei sich, wie auf seinen konzerten. mehr braucht man über martin kohlstedt nicht zu wissen.

damon eliza palermo returns to lovers rock with cathedral, an ep of inky, shadowy atmospheres. opening with the stunning title track, palermo summons a hi-def miasma of gongs and synths, searching and incantatory. congquin rumbles through a tar pit of groaning static and radio interference, while karangahape road floats through 5+ minutes of undulating sighs. finally cathedral gets reworked for the dance floor with an extended, exuberant techno meltdown.

the first 3 hail blk releases all bundled up for one special price!

r&s presents a killer ep from romania’s ada kaleh aka iulian cuculea, which follows his stunning alejandro jodorowsky inspired debut lp -dene descris- on his vinyl only imprint ada kaleh românia. like many of the second wave of romanian minimal producers, iulian s music combines propulsive hypnotic rhythms with rich, organic sounds that envelop the listener in an otherworldly atmosphere. -the creation process is a moment of temporary madness for me” iulian explains, -i enjoy working with layers of sounds that intertwine and embrace like a lotus flower. folding and unfolding.” finding fans in the form of countrymen like raresh, petre inspirescu, rhadoo, barac, cezar, priku and internationals like ricardo villalobos, sonja moonear, tini, prins thomas, he’s also dropped critically acclaimed releases and/or remixes for uvar, the rabbit hole, third wave black, supernature as well as his own ada kaleh românia imprint. opener -palatul de cle&#351,,,,,tar- (translated -the glass palace-, received a vinyl only release on his own label in 2014) sets the tone with a mesmeric rhythm track overlaid with a haunting clarinet part and spaced out synth gurgles that combine to enthralling effect. apollo records alumnus laurine frost supplies a trippy, blown out version that blackens the tone of the original into a work of quiet menace. on the flip -devotare- (translated -devotion-, also a vinyl only release on his own label in 2013) strikes a more strident tone, the grooves strut rather than purr - gauzy chord stabs weave between the beats and clunking percussion in a delicate yet complex interplay of elements.

last copies - nice price action !!
excellent relaxed / deep space disco (cosmic) with dubby flavour, vinyl is selected (unmixed) by junior boys